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Folks

Bob, before the Travoltathon

Bartow, shooting Grand Champeen during covers night at the Parish

Don’t forget to listen to Record Jumble tonight at 10, and to hit up Headhunters for the Karaoke Underground on Tuesday.

SXSW Thursday, in picture form

Kevin Devine, at the Hotel Cafe Showcase:

Ear-plugged Burnses after Kevin’s set:

Gold Chains & Sue Cie @ Beerland (w/ Trei’s camera in the lower left corner)

Sue Cie’s feet

We also caught The Paper Chase and The Skeletons, but they weren’t all that photo-worthy.

SXSW Wednesday, briefly


   
  Originally uploaded by activitystory.

I thought The Octopus Project stole the show last night at the Velvet Spade, partly because of the masks they wore when they came on stage. 

I had only seen them once before (opening for Bardo Pond, I think) and liked them, but they blew me away last night.  Kelly & I both liked that they didn’t waste our time with vocals, and the theremin playing was on point. 

Devin Davis and Aerowave were also great, but I was a little disappointed by Palaxy Tracks.

SXSW is the new Friendster

We got back from Vancouver (pictures and details soon) on Tuesday and got a few hours to rest before Kevin arrived for sxsw. I picked him up at the airport and we headed to Jaime’s for some dinner before. The default salsa there has to be the hottest in Austin, and with all the people milling around downtown, it was busier than I have ever seen it.

We were planning to go to The Velvet Spade (formerly the Caucus Club) to see’s Kevin’s friend’s band Aerowave, and when we got there, I saw my UNCG friend Daniel through the fence, who works for Fanatic, who was putting on the show.  Since we didn’t have wristbands or anything, he got them to let us in the back way. It was all very Goodfellas. Anyway, we got in there, and I started catching up with Daniel, who somehow knew Kevin from NYC, and then Greg and his crew of visitors arrived to see their friend Devon Davis, who Daniel manages, play.  Greg’s friends also happened to know Daniel’s brother in Chicago, or something.  It was a small world afterall.

Today, we’re heading to Kevin’s showcase at 2 @ 7th and Congress, and then eventually to the Skeletons show at Emos (around 5).  If any of you are around, give me a call.  Hopefully we’ll get into the Merge Showcase tonight and then we can call it quits for the rest of the week.

We are all Quincy Punks

So, now that we’ve moved closer to downtown, we end up walking to the Drafthouse almost every week. I apologize for constantly raving about it, but there seems to be no end in sight, especially since they’re opening a new location on Lamar.

Last night we went to Quincy Punk night ($1 Monday!), to see another homemade documentary entitled I was a Teenage Quincy Punk, comprised of the punk rock Quincy episode ("Next Stop, Nowhere") in its entirety, the punk rock episode of "CHiPs" (starring activitystory favorite William Forsythe as Trasher, the lead singer of Pain), a clip from the episode of Square Pegs where DEVO played Muffy’s bat-mitzvah (in which M. Mothersbaugh plays my current obsession, the Suzuki Omnichord), and an episode of some awesome-looking 1978 Don Rickles sitcom called CPO Sharkey co-starring the Dictators.

It was all very funny, and the crowd was lively, yelling at the screen and making jokes.  Everyone was hysterically astonished by how much the man misunderstood punk rock.

The weird thing was, and this might be blasphemy, but I thought the depictions were pretty accurate.  I mean, they were clearly characatures, but no more so than Quincy is a characature of a medical examiner or Ponch a cop.  It was more a vibe of, "oh, like a punk would really have their hair that long in the back," or "Look at that ridiculous eye-makeup. A real punk would never have eye-makeup like that." But otherwise: nihilism? check. clothes? check. boredom, absurdism, and vandalism? check check check. The music even sounded pretty accurate and there were  suggestions of political activism and veganism which I thought were very generous (of course, I might have just misinterpreted the brief glimpses at diet and squalor we got).  On top of that, the fattish bit-part CHiPs cop even offered a thoughtful, fair description of punk culture and demonstrated slam dancing in a positive light.

But, of course, I was a young punk in the late 80s/early 90s and most of my early visual conception of punk came from Valley Girl, Suburbia, Urrgh! A Music War (lots of mixed messages there), the FEAR performance on Saturday Night Live, and (I think) one of the Police Academy movies. Do any of you remember seeing any of that stuff? Did you think that the TV depictions of punk went against what you thought it was all about, or did you just feel like a badass because the vile subculture you chose to identify yourself was being legitimized?

I think it was the latter for me for sure.  I wish I could watch a Doogie Howser or a Full House with concurrent punk me thinking I’m shaking up the squares.  Even just some plain old footage of me and my friends going to shows at Common Ground and the Easy St Theatre in Dallas. I’d love to put a laugh-track on that.

I think that I’d have the same reaction to that as I did to the Quincy Punk Episode, but who knows.  I just wonder if I’m capable of taking myself that seriously anymore (though, posts like this where I ruminate on my identity my be evidence that I am). Sorry. 

Common Sense Campaign

This guy, I saw on News 8 Austin this morning, missed the deadline to be included on the ballot for the soon-to-be-vacant Place 1 on the Austin City Council by one minute. They don’t quote him in the web version of the story (or even mention him, for that matter), but on the TV version, he said something along the lines of: I understand the need for deadlines, but there’s deadlines, and there’s common  sense.  I’m running a common-sense campaign.

I would think that the first priority of a common-sense campaign would be to actually appear on the ballot, with not coming off like an incompetent whiner on TV being a close second. I hope they post the clip, it got a little ugly.

I guess we’ll have to rely on someone else to protect our property rights.

Goodbye, Show with No Name

Kelly, Miranda, Kim, and & I went to the live Show with No Name event at the Alamo on Saturday night, and I was sad to hear it was their last show ever.  Mostly it was a very satisfying retrospective that included several montages of favorite clips from the show interspersed with the funnier charlie/cinco interchanges and bits.  Most notable, however, a 12-yr old came on stage and did a few minutes’ worth of filthy Bill Hicks jokes.

Since the show is no longer being aired, I decided I should track down as many of the boilerplate clips as I could online.  Sadly, after more than an hour of searching, I’ve only found a few, and none of them are my favorites.  It’s really making me aware of how valuable it was to have Charlie & Cinco on tv every week. 

Here’s what I’ve found so far (please point me to any you can find [especially the Corey Feldman lipsync on An Evening at the Improv]). Mostly it’s just the played-out ones:

Just linking to those makes the show seem pretty lame. Hopefully, somone who taped every episode is working on getting all of the clips online for our enjoyment.  Mostly I just want to see the local Austin news clips, like the one of the reporter stomping grapes at a winery. 

Real World Sighting #2: Dillo Dorado, Guadalupe & 17th


  Real World dude, pair of feet 
  Originally uploaded by activitystory.

Two Real World Austin castmembers and two camerapeople were taking up most of the back of the Dillo Dorado I took home from school today.  I pushed past the sound guy to sit as close as I could without getting in the shot.  I captured the Real World Dude, and the feet of his female costar with my phonecam.

Overheard quote: "Did you get paged? Dude, I was gonna be like, I’ve never ever gotten paged." Then the dude put his head in the girls lap.

When they got off the bus I realized that there were like four other Real World crewmembers in our midst.  As the pair moved toward the bus door, the covert crew members all shared a creepy, knowing glance and followed them off.